First Off

Declarations from the Soap Box

Thursday, October 17, 2002

 
Woo, the Napster debate. I chime in thus:

I am an avid digifansub, mp3, and scanlations downloader. Digifansubs are anime videos encoded and subtitled by fan groups.
Illegal.
Scanlations are manga issues and volumes scanned in and translated by fan groups.
Illegal.
Now, most of these series that are being translated are not yet available in an English language version, although with the growing popularity of manga and anime, they are usually liscensed by various US vendors concurrent to their release in Japan. This does nothing to help the once tenuous legality issues that fansubs were subjected to. It makes the process downright illegitimate and illegal in most cases. Most of the mp3s I download are illegal as well.

Now, the rationalization.

As the supreme ruler of my own little universe, only my rationale exists, and so it applies to everything. I don't give a lick about the artist in question, because of my rationale. Now,

I'm of the firm belief that there is no such thing as a free lunch. If you're getting one, you've done something to deserve it (see: karma). The reverse is true as well. The way I see it, if I grab your mp3, your movie, your comic, etc, for my own personal use and enjoyment, I'm not affecting your pocketbook at all. If I like it, I'll buy it anyway, and if I don't like it, well great, I didn't spend any of my hard-earned dough on your sack of crap. I almost blatantly refuse to buy any album released on a major label today, due to the way the RIAA and the major labels run their business, and the short shrift they give to the people who are responsible for the art. BUT, I will in an instant go see these bands perform live, buy their tshirt, buy them a drink or lunch if I'm in the position to do so. If I think an artist deserves my support, they will damn well see it.

I expect the same of my stuff. As soon as I have stuff to show (which I'm already working on, a bit. see the ::serial:: section of my website, and mp3s at the bottom of the page), I'll give it away for free as well as sell it, because if it's any good, it's gonna come back around. Someone will buy my lunch. If it's crap, then I'll flounder, and I'll spend a lot of time sucking. But I'm not going to blame my lack of success on the assholes that 'steal' my work and give me nothing in return. Hell, even assholes have friends, and if they play my 'stolen' music, or loan my 'stolen' art to those friends, then maybe they'll buy it, or maybe the next friend down the line will. This shit works. Fugazi and Ani diFranco have been running on the same kind of support for years, thriving on it. Admitedly, they're cheap and not free, but it still works. I'm so sick of whining about this and that 'but my work.'

Now, there are extreme cases. I'm gonna be righteously pissed if Disney lifts my work, near verbatim, and uses their power to sell millions of copies to people who have never heard of me. The laws are there to keep that kind of thing from happening, outright theft. But if (ohgodpleaseletitbeso) the Invsbl Skrtch Piklz or Fatboy Slim or Wu-Tang Clan wants to lift my stuff as a piece of sound collage, great. That's spinning my art to a new level, a different direction. That's not theft, that's creation. Creation is nothing if not the use of available materials to create something else. I don't serve my dinner guests sandwiches and milk with the addendum that the milk is by Borden, the bread by Wonder, the jelly by Welch's, the peanut butter Jiff. Filmmakers don't typically go out of their way to thank the architect of the building that frames a key scene, or the automakers that built and designed the cars in that awesome chase scene, or the manufacturer of the firearms used by the hero. Van Gogh didn't have liner notes that came with his paintings detailing the canvas maker, or the paint brand, or the brush maker. I could go on.

The way I see it, a lot of artists are just uncomfortable with their own level of craft, and feel that misuse of their material is a good enough reason to place blame as to why they aren't "making it." Put up or shut up, if you can show me that you're the second coming of Lennon, and that l33t J03 H4XX0r is ruining your burgeoning career by spreading mp3s of your opus on the almighty equalizer (read: Internet), then I'll change my tune faster than an altar boy evading a pederast priest. But if you're just Brand X (pick a fucking target), dropping another piece of brain-dead, derivitave, talentless, self-referential, indulgent, cliched crap, then back the fuck up and take stock of why you really aren't 'making it' as an artist, and find another hobby. I hear politics is a rewarding field.

Selah,
Ian


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